The work of Portishead co-founder Geoff Barrow, this scabrous though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in British and Irish theaters from November 17.
